Glue / Illustration / Elements
With a few exceptions, the submissions received so far have not addressed the creative brief. Many appear to be repurposed images that don't directly speak to the elemental theme. Illustration is about communicating concepts, illuminating ideas and conveying feelings. The intent of this issue is to show how we humans can do this better than any artificial intelligence. That's why I've created this brief: the published works will demonstrate how diverse and creative we can be as individuals. We bring our own experiences and perspectives. We aren't machines! We exist in the natural world, one made of physical elements—earth, water, air and fire. These elements will serve as visual metaphors throughout this issue. Here's the updated brief, which I hope provides more clarity. The focus of your submission should be the creative brief; the supplemental imagery and portfolio pieces will round out the two-page profile. Here's a mockup showing what I have in mind. The page on the left will feature the creative brief illustration, and to the right of it will be the profile plus a few images and details from the artist's portfolio and studio. Creative Brief:
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| READ ALL THE SUBMISSION DETAILS BEFORE YOU START!!!! |
For The Elements in Craft, I'm also looking for more submissions. Think pyrography, ice-dying, earthenware, earth pigments, making charcoal, molten glass, rock painting, sunprints, plein air, wind-powered sculpture... please share the submission link with your creative friends.
The Elements in Craft
How do the elements (earth, water, air and fire) inspire, inform or affect your art or craft? For example, do you make things out of earth? Is water (or ice) integral to your process? Does air, wind, or weather factor into your creation? Do you make prints with sunlight or need the heat of a flame to create?
Deadline: October 20
| Get the details |
Thank you for your kind attention.
mailing updates
SUBSCRIBERS TO ISSUE 67
USA & Overseas: on its way via USPS media mail (delivery timeframes vary greatly across the country!) in the USA and overseas (various mail carriers). New subscriptions are sent out via my fulfillment partner without delay.
Canadian subscribers: For subscribers as of Sept 10, if you did not receive it before the Canada Post strike began, your copy of issue #67 is stuck in Canada Post strike limbo. Sorry, there's nothing we can do but wait for delivery to resume! I sent Canadian subscribers digital access to this issue. New Canadian subscriptions are sent out via alternate carriers to urban centres. PO Box addresses will necessarily be held until the strike is over.
GLUE
The Glue book preorders placed before September 17 are en route to USA and overseas destinations. These are not trackable en route. The Canadian Glue preorders are at my fulfillment company; they will be dispatched this week using various carriers. Keep an eye out for a tracking notice sent to your inbox. More recent Glue orders will ship from my fulfillment partner by mid-October; the big shipment of books is scheduled to arrive with them tomorrow. (Please keep in mind that October 13 is the Thanksgiving holiday in Canada.)
*This message is sent to a general list, not segmented based on past purchases.
Do you need a pleasant & inspiring distraction?How about the first 50 issues of UPPERCASE magazine, available instantly on your iPad or computer? I recently surprised readers in the Archive with the UPPERCASE Compendium of Craft & Creativity, a beloved book from a decade ago that was the precursor to my Encyclopedia series. Out of print everywhere, now available in the Archive.
This month in re:issue, we'll be exploring paint from previous issues of UPPERCASE magazine—painters, processes, various media, art supplies, and whatever else serendipitously appears on our palette! |
Master the Traditional-to-Digital Workflow
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| Watch Esther's Fun Intro Video |
As an affiliate, I earn a commission on any sales resulting from my link, which helps keep the UPPERCASE Circle a free perk for print subscribers.
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